1738-1820 Benjamin West Locations Benjamin West RA (October 10, 1738 ?C March 11, 1820) was an Anglo-American painter of historical scenes around and after the time of the American War of Independence. He was the second president of the Royal Academy serving from 1792 to 1805 and 1806 to 1820. In 1760, sponsored by Smith and William Allen, reputed to be the wealthiest man in Philadelphia, West traveled to Italy where he expanded his repertoire by copying the works of Italian painters such as Titian and Raphael. As painted by Gilbert Stuart, 1783-84West was a close friend of Benjamin Franklin, whose portrait he painted. Franklin was also the godfather of West's second son, Benjamin. In 1763, West moved to England, where he was commissioned by King George III to create portraits of members of the royal family. The king himself was twice painted by him. He painted his most famous, and possibly most influential painting, The Death of General Wolfe, in 1770, exhibited at the Royal Academy in 1771. Although originally snubbed by Sir Joshua Reynolds, the famous portrait painter and President of the Royal Academy, and others as over ambitious, the painting became one of the most frequently reproduced images of the period. In 1772, King George appointed him historical painter to the court at an annual fee of £1,000. With Reynolds, West founded the Royal Academy of Arts in 1768. He was the second president of the Royal Academy from 1792 to 1805. He was re-elected in 1806 and was president until his death in 1820. He was Surveyor of the King's Pictures from 1791 until his death. Many American artists studied under him in London, including Charles Willson Peale, Rembrandt Peale, Gilbert Stuart, John Trumbull, and Thomas Sully. [3] West is known for his large scale history paintings, which use expressive figures, colours and compositional schemes to help the spectator to identify with the scene represented. West called this "epic representation". He died in London.  Related Paintings of Benjamin West :. | Isaac's servant trying the bracelet on Rebecca's arm | Cleombrotus Ordered into Banishment by Leonidas II, King of Sparta | Treatly | The Battle of the Boyne | The Death of Wolfe (mk25) |
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Carnicero, Antonio
Spanish, approx. 1748-1814 Painter and draughtsman, son of Alejandro Carnicero. He arrived at the Court in Madrid with his father in 1749 and took part in the competitions held by the Real Academia de S Fernando, winning second prize in 1769 with the Coronation of Alfonso XI and Queen Mary in the Monastery of Huelgas de Burgos (Madrid, Real Acad. S Fernando, Mus.). In 1760 he won a scholarship to Rome, subsequently winning prizes from the Accademia di S Luca. On his return to Madrid in 1766 he worked as a portrait painter, producing works such as the portrait of Do?a Tomasa de Aliaga, Widow of Salcedo (Madrid, Prado). In 1788 he was elected an honorary member of S Fernando. Under the protection of the Spanish prime minister, Manuel Godoy, Prencipe de la Paz, whom he painted on several occasions , and after painting the portraits of Charles IV and Maria Luisa (both Madrid, Monasterio de la Encarnacien), he was appointed Pintor de Cemara in 1796. In 1798 he applied unsuccessfully for the post of drawing-master to the Prince of Asturias, the future Ferdinand VII, although by 1806 he was teacher of the Infante Princes. He was a refined draughtsman and prepared illustrations for the editions of Cervantes's El ingenioso hidalgo Don Quixote de la Mancha published by the Real Academia Espa?ola (Madrid, 1780; 1782). He also made the drawings for the handsome engravings (Madrid, Calcografra N.) of the Real Picadero (Royal Riding School). In addition to his portraiture, which displays a talent for realism and wit, although at times combined with slightly garish colours, Carnicero executed attractive and descriptive costumbrista paintings, depicting everyday life, popular gatherings and hunting scenes, for instance Duck Shooting on the Albufera, Valencia
Gustave Caillebotte
French Impressionist Painter, 1848-1894 Gustave Caillebotte was born on August 19, 1848 to an upper-class Parisian family. His father, Martial Caillebotte (1799-1874), was the inheritor of the family textile industry and was also a judge at the Seine Tribunal de Commerce. Caillebotte father had been twice widowed before marrying Caillebotte mother, C??leste Daufresne (1819-1878), who had two more sons after Gustave, Rene (1851-1876) and Martial (1853-1910).
Jan Brueghel the Younger
(September 13, 1601 C September 1, 1678) was a Flemish Baroque painter, and the son of Jan Brueghel the Elder. He was trained by his father and spent his career producing works in a similar style. Along with his brother Ambrosius, he produced landscapes, allegorical scenes and other works of meticulous detail. Brueghel also copied works by his father and sold them with his father's signature. His work is distinguishable from that of his parent by being less well executed and lighter. Jan the Younger was traveling in Italy when his father died of cholera and swiftly returned to take control of the Antwerp studio. He soon established himself and was made dean of the Guild of Saint Luke in 1630. That same year he was commissioned by the French court to paint Adam Cycle. In the following years, he also produced paintings for the Austrian court, and worked independently in Paris, before returning to Antwerp in 1657. He collaborated with a number of prominent artists including Rubens, Hendrick van Balen (1575-1632), Adriaen Stalbemt (1580-1682), Lucas Van Uden (1596-1672), David Teniers the Younger and his father-in-law Janssen. Jan the Younger's best works are his extensive landscapes, either under his own name or made for other artists such as Hendrick van Balen as backgrounds.